Religious speech is extreme emotional and motivational. It is anti-literal relying on metaphor allusion and other rhetorical devices and it assumes knowledge within a community of believers.

Religious speech is extreme emotional and motivational. It is anti-literal relying on metaphor allusion and other rhetorical devices and it assumes knowledge within a community of believers.

Imagination it turns out is a great deal like reporting in your own head. Here is a paradox of fiction-writing. You are crafting something from nothing which means in one sense that none of it is true. Yet in the writing and perhaps in the reading some of a character's actions or lines are truer than others.

Imagination it turns out is a great deal like reporting in your own head. Here is a paradox of fiction-writing. You are crafting something from nothing which means in one sense that none of it is true. Yet in the writing and perhaps in the reading some of a character's actions or lines are truer than others.

I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject – skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.

I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject – skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.

So the premise of 'The Submission' is that there's an anonymous competition to design a 9/11 memorial and it's won by an American Muslim an architect born and raised in Virginia and his name is Mohammad Khan.

So the premise of 'The Submission' is that there's an anonymous competition to design a 9/11 memorial and it's won by an American Muslim an architect born and raised in Virginia and his name is Mohammad Khan.