Author: John Drinkwater

We recognise in the finished art which is the result of these conditions the best words in the best order – poetry and to put this essential poetry into different classes is impossible.

To know anything of a poet but his poetry is so far as the poetry is concerned to know something that may be entertaining even delightful but is certainly inessential.

The musician – if he be a good one – finds his own perception prompted by the poet's perception and he translates the expression of that perception from the terms of poetry into the terms of music.

Poetry being the sign of that which all men desire even though the desire be unconscious intensity of life or completeness of experience the universality of its appeal is a matter of course.

It should here be added that poetry habitually takes the form of verse.

If it is an imperfect word no external circumstance can heighten its value as poetry.

For while the subjects of poetry are few and recurrent the moods of man are infinitely various and unstable. It is the same in all arts.

But in the finished art of the song the use of words has no connection with the use of words in poetry.

Any long work in which poetry is persistent be it epic or drama or narrative is really a succession of separate poetic experiences governed into a related whole by an energy distinct from that which evoked them.

A lyric it is true is the expression of personal emotion but then so is all poetry and to suppose that there are several kinds of poetry differing from each other in essence is to be deceived by wholly artificial divisions which have no real being.